… Keep readingLife is chaos. It’s a cacophony upon which we try to impose a sense of order, often for the sake of our own sanity.
When I read the excerpt below, I was unsurprised to find my father had ended up a Londoner by accident, not design. It was through another series of accidents that he met my mother, that I was born in London and that now I’m writing these very words.
Some people struggle to accept that we primates stumble through existence. They insist that everything is controlled and planned out. One of the gloomier versions of this type of worldview is that everything is manipulated by some shadowy ill-meaning cabal, often labelled as the Illuminati or New World Order.
Tate
Malevich and the birth of Minimalism, 1975
I visited the impressive Malevich retrospective at the Tate Modern recently, and thought I’d see if Marek had a few words on the man. I found this dense extract which talks about Malevich’s role in the minimalism of modern art. The gallery visit he describes near the end left me with the distinct impression he’d be shaking his head at a lot of today’s art were he still alive… – AZ
There is no doubt that, independent from art as a deliberate activity of man, there exist artistic phenomena which move us with their monumental simplicity. The desert, oceans, ploughed fields, steppes, the heavens and earth.… Keep reading
Richard Hamilton at the Tate, 1983
Earlier in 2014, the Tate Modern in London put on a fantastic retrospective exhibition of Richard Hamilton’s work (I snapped this post’s main image, “Epiphany” 1964, while I was there). I was unfamiliar with his art but left the gallery hugely impressed, particularly by Hamilton’s sense of humour. To my surprise, I came across a review by my dad of Hamilton’s Tate exhibition in 1983 (now the Tate Britain) in his autobiography. I can’t seem to find any reference to the dog show he mentions unfortunately – I’d love to see footage of that. – AZ
The Hamilton exhibition at the Tate.… Keep reading